A stacked, almost figurative piece where a series of drawers rests on small piglet legs, as if the object is balancing between furniture, body and animal figure. Drawers balances the functional with the sculptural, playing on the tension between weight and lightness – between furniture and character.
A bench series in which dense rows of colourful sticks form a living, almost carpet-like seat. The Stick Bench brings colour, rhythm and humour into the public realm – as much an installation as a place to sit.
A wardrobe that, more than anything, is a figure. With striped doors, a mirrored surface and four pointed yellow legs, it resembles a character on stage as much as a storage piece. Wardrobe is a clear expression of Mirari\u2019s scenographic eye for furniture.
A bed frame that steps away from the traditional and emerges as a small spatial object. With four pronounced posts and a rhythmic, open frame, Bed is more akin to a canopy or a stage than to a typical bedroom piece.
A long, low bench carried by a multitude of slim, colourful legs – which gives the piece its name. Millipede is as at home in the park as in a gallery: a public bench with character, humour and a language entirely its own.
An object shaped like a polygonal, open vessel, where the joinery is allowed to stand out as visible ornament. Bowl shows Mirari\u2019s craft sensibility in smaller format – a piece of geometry that is also a functional object.
For I. Mirari, furniture is never merely a utilitarian object. It is something with presence – something that takes up space, holds an attitude, and transforms the room around it.
The works move between the restrained and the outspoken, between the quiet precision of craft and the humour of the stage. The result is furniture that dares to be characters in a home or a public space, while remaining rooted in solid material craft.
The studio works project by project, with an emphasis on its own works, commissions and collaborations – always with craft as the starting point.
I. Mirari works with furniture as idea, object and spatial expression. With a background as a cabinetmaker and experience from scenography and set construction, he combines craft precision with a strong understanding of form, materials and visual presence.
His furniture moves between the quiet and the theatrical – between strict lines and playful, almost character-defining gestures. Each object is as much a figure in a room as a functional piece.
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